Many businesses rely on fonts to attract more visitors. However, finding the right fonts that go together can be a challenging task for most entrepreneurs. Fonts that go together make the texts look more attractive, significant, and readable. Choosing a font for your next design project can be challenging. However, it is possible to find the perfect font that goes well with another.
When designing a logo or creating a typography-based artwork, there are several details that you need to pay attention to. Two of the main aspects are choosing the right fonts and pairing fonts that go together to create typography font combinations. In this article, we have collected such lovely 22 fonts that go together, making your job easier.
22 Fonts That Go Together: Best Font Combinations
Font pairing isn’t as complex as one may think. We have put together a collection of the best fonts that go together, which will help you in your choosing process.
1. Orpheus Pro and Twentieth Century
Imagine looking back at the 1920s using this typeface designed by Sol Hess for Monotype? The decor of the twentieth century reflects the Art Deco style. Consider using Canada Type’s Orpheus Pro for the perfect type pairing. Walter Tiemann designed the typeface as an updated version of his original Orpheus. It was intended as an italic companion to his Euphorion font. Instead, it became something entirely different. When using it for display, you have plenty of ligatures, extensions, alternates, and alternate swashes to choose from.
2. Playfair Display and Source Sans Pro
Playfair Display is a devoted display typeface with high contrast and old-fashioned charm. Source Sans Pro is an elegant sans-serif that is designed primarily for use in user interfaces. Playfair Display and Source Sans Pro make a stunning pairing that combines old and new.
3. Rockwell Bold and Bembo
Classic slab serifs such as Rockwell were designed in the 1930s. Using it boldly will grab attention and give it a big personality. This serif font is more conservative yet versatile, making it an excellent font-pairing alternative.
4. Souvenir and Futura Bold
The result is a clash of typographic personalities that fight for attention. The result is, however, an exception. Compared with its Old Style serif counterparts, Souvenir is softer and more playful, while Futura Bold is distinctive without being too clumsy.
5. Dax Bold and Caslon
Caslon, which has been featured elsewhere on this list, is another old style serif font that is very versatile. The neutrality of the first contrasts with the modern, informal style of the second, allowing the latter to deliver its strong personality. Caslon is an excellent choice for an understated headline, and Dax Bold is a great headline choice.
6. Antique Olive Bold and Chaparral
Antique Olive was created as a replacement for Helvetica and Univers. It has a very tall x-height and short ascenders and descenders. As a result, it stands out in a display setting. Chaparral is a slab serif with a modern feel, but it’s a lot more neutral than other slab serifs. Both of them work in perfect unison.
7. Renault Light and Apex-New
Formal or corporate use is ideal for this font pair. For an effortless partnership between a contemporary sans serif and an authoritative serif, both Renault and Apex-New have very similar x-heights to body heights.
8. Trade Gothic Bold and Sabon
A particularly effective pairing comes in the form of Trade Gothic for the headline, which is then offset by the classic serif font of Jan Tschichold for the body. Even though both typefaces have a tall x-height, they are highly readable and can combine effectively to produce an attractive result.
9. Minion and Poppl-Laudatio
Each of these typefaces has its own personality, yet they work well together. Minion is an Old Style serif typeface inspired by Renaissance-era typefaces designed in 1990. Poppl-Laudatio is a sans-serif with subtle flared details that give it a quirky edge, although it is technically a sans-serif.
10. Caslon and Myriad
We have another classic font pairing here, this time featuring a Serif serif from the 18th century and a Humanist sans serif from the late 20th century. Before Apple moved to San Francisco, Myriad was famously used for corporate communications. In addition, the roll Royce logo features this typeface.
11. Helvetica Neue and Garamond
For text, Garamond serif font and the Helvetica Neue for headlines make a harmonious font pairing. To create a clear hierarchy in your designs, mix sizes and weights from both of these neutral families.
12. Minion Pro and Brandon Grotesque
Thanks to its versatility, the Minion Pro shows up on this list quite a few times. This time, it is a distant second to Brandon Grotesque, who draws attention with his bold move. This is a classic yet straightforward pairing of serif and sans-serif fonts, which are easy to read and scan no matter where they appear in the layout.
13. Minion Pro and Super Grotesk
If combined with Super Grotesk as a body copy font, the popular serifed Minion Pro works beautifully as a headline font. When combined, these fonts create a modern elegance that is unmistakable.
14. Oswald and Lato
This sans-serif typestyle results from reworking the ‘Alternate Gothic’ sans-serif typeface. Lato makes for an excellent companion. It’s a stable sans serif but with a warm look to it. The pair comes in various variants and weights, which makes it a very versatile font pairing.
15. Playfair Display and Raleway
When quills were starting to be replaced by pointed steel pens in the 18th century, created the display font Playfair. Combining this with printing developments led to the emergence of letterforms with high contrast and a delicate hairline. For this, Raleway offers an elegant accompaniment.
16. Pacifico and Quicksand
Try Pacifico and Quicksand if you’re looking for an unintentionally tropical font combination. Pacifico is a gorgeous brush font that works well for headings. It is free and vivid. While Quicksand sports rounded terminals and a sans-serif layout, it also has a few quirky touches. For instance, the uppercase ‘Q’ is adorned with a distinctive descender. Quicksand also works well at small sizes as a display typeface because it offers enough clarity.
17. Skolar Latin and Proxima Nova
Skolar is a complex typography typeface, according to Rosetta. Additionally, Skolar offers a wide range of character sets, including Latin, Greek, Cyrillic, Gujarati, and Devanagari. Typefaces of this style have low contrast, a low x-height, and robust serifs, making them legible even in small sizes. Mark Simonson designed the Proxima Nova web font, which is the perfect match for Skolar. Its proportions are modern and geometric in design.
18. Calvert and Acumin
Developed by Monotype, Calvert’s slab serif name is named after the designer Margaret Calvert. You can choose from six styles- Calvert Standard and Pro, each with, Regular, Bold, and Light variants. Consider pairing Acumin sans-serif with Calvert. Typefaces usually have fewer fonts, but this typeface contains 90 of them. This font can only be accessed with an Adobe Creative Cloud subscription, designed by Robert Slimbach as part of the Adobe Originals initiative.
19. Bebas Neue and Montserrat Light
Bebas Neue is a superb choice for headlines due to its clean, condensed letterforms. There’s no restriction on its transfer and open source – therefore, if you have the need and skills to do so, you can alter it to meet your own explicit requirements through the GitHub repo. The sunshine version of Montserrat is particularly pleasant.
20. Elsie with Roboto
Beautiful, flowing serifs and flowing edges make this font suitable for celebrating the world of women. Due to its detailed design, it needs something simple to complement it. The Roboto font is perfect for this application because it does not detract from the style of the header
21. Sansita with Open Sans
An elegant, wavy font from Omnibus-Type that comes in a variety of sizes. This typeface pairs well with sans serif fonts, such as Open Sans.
22. Amaranth with Open Sans
Because it isn’t a simple straight-line font, it creates interest. Because of the slight curves, it makes the lettering stand out. Design professionals may use Open Sans together with this typeface in a wide range of applications.
What to Consider When Pairing Fonts
Font pairing is one of the most potent things in design. By combining two fonts that complement each other by contrast and typographic hierarchy, designers are able to create unique, eye-catching designs. However, this process isn’t as simple as it seems. The wrong font pairing can negatively affect the user experience, so here are some considerations to help you make better font pairings.
1. Legibility
When people see a good design, the first thing that usually registers in their mind is how beautiful the visuals look. However, all the boxes and lines in a design would mean nothing if it isn’t legible, making you question the designer’s purpose for using them in the first place. The first step in pairing fonts is to consider the legibility of your font choices. You want people to be able to read your content, after all! When you’re choosing a primary or secondary font for a design project, make sure that you can easily read the typeface at whatever size you will use it.
2. Readability
Fonts play an important role in any design. They are meant to bring impact, elicit emotion—express your brand. While fonts are a vital component of design, pairing them must also be considered when it comes to readability. One of the most important considerations to make as a designer is choosing readable fonts. If a reader can’t read your content, there’s no point in them being on your website. A well-designed font can have a massive impact on how your website’s typography is perceived. The font itself will have an enormous effect on legibility and readability.
3. Comfort
Comfort is the key when doing a font pairing exercise. The design must look good together, but it is also important that they look like they can be a cohesive unit. Some designers choose not to follow this rule due to their unique style; however, many believe that following the above-mentioned points can lead to greater success.
When pairing fonts, you want to think about how your font choices make you feel about the content. Make sure you convey comfort for prospective clients and customers. Consider using this font pairing guide to help improve your marketing results.
4. Style
When pairing typefaces for your layouts, you should consider the style. Fonts come in many different styles, such as contemporary, serif, or decorative. Each font can have a wide range of styles. You might choose to set a headline in display style while your body copy has book style. Some fonts come with several variations of these styles, so you can play around with attributes to find the perfect one.
Final Words
Nothing is better than combining two font styles that complement each other nicely. Some fonts or font styles can easily be mixed and matched with other fonts that go together. When pairing fonts together, make sure to look at the characters in their entirety. You don’t always have to pair different categories of fonts together to create a unique typographic masterpiece. Still, knowledge of fonts and their combinations can help you achieve the personal touch that will separate you from the rest. Depending on the text you intend to use with your font choice, you should strive for an easy look on the eyes and easy to read. As always, there is no hard and fast rule, so make sure to keep the concept and feel of your design in mind when making your font selection.